ARTIST STATEMENT
Art goes beyond anecdote, and expressing the essential, I use the tool of figuration particularly, and the human figure exclusively. Even if one can recognize the classical aesthetic canon in the art work, the latter contains the disturbing look of contemporary man. The use of photographic means in the creative process, the arbitrary change in lighting, subject to neither artificial nor natural approaches, wholly subjective and submissive to the requirement for plastic work, the choreographic deployment, the sculptural and at the same time architectonical conception of the human figure, the baroque-style of shape, and the quasi-minimalistic color reduction are the expressive resources that support my plastic activity. Ethics and aesthetics conjugated into shape and color equivalents. Briefly, a line of bodies held taut between past and future. (Ana Negro 2014)

1.CONNECTION ON BLACK BACKGROUND (FRAGMENT), 2001 PASTEL, SANGUINE AND INK ON CARDBOARD 75X55 CM.
 

2.CONNECTION ON BLACK BACKGROUND (FRAGMENT), 2002 PASTEL, SANGUINE AND INK ON CARDBOARD 75X50 CM.
  US$ 1,500.00

3.CONNECTION ON BLACK BACKGROUND (FRAGMENT), 2002 PASTEL, SANGUINE AND INK ON CARDBOARD 75X100 CM.
  US$ 1,500.00

4.FORESHORTENING AND FUGUE (FRAGMENT), 2004 PASTEL AND INK ON PAPER 70X50 CM.
  US$ 1,500.00

5.FORESHORTENING AND FUGUE (FRAGMENT), 2004 PASTEL AND INK ON PAPER 70X50 CM.
  US$ 1,500.00

6.FORESHORTENING AND FUGUE (FRAGMENT), 2004 PASTEL AND INK ON PAPER 70X50 CM.
  US$ 1,500.00